Fanny and Felix Mendelssohn and their contemporaries expressed their attitude to life in song, that most intimate of genres, better than in almost any other form. Being pupils of Zelter, they had been raised in the spirit of 18th century aesthetics of song, the idea of "noble simplicity". This explains the fact that Felix was strangely unmoved by Schubert's vocal output. He considered himself an heir to the classical tradition in music; accordingly he wrote "Songs in the popular vein" with a simple structure that was strophic or strophic with variations, to simple tunes with texts which were declaimed without any emphasis whatsoever.
Ingeborg Allihn
Translation: Gery Bramall
Felix & Fanny Mendelssohn
Lieder
1. Auf Flügeln des Gesanges (Heine)
2. Die Liebende schreibt (Goethe)
3. Ferne (Droysen)
4. Es weiss und rät es doch leiner (Eichendorff)
5. Pagenlied (Eichendorf)
6. Suleika Op. 34,4 (Goethe/Willemer)
7. Suleika Op. 57,3 (Goethe/Willemer)
8. Frage (Voss)
9. Der Mond (Geibel)
10. Frühlingslied Op. 71,2 (Klingemann)
11. Frühlingslied, Op. 34,3 (Klingemann)
12. Verlust (Heine) - Fanny Mendelssohn
13. Die Nonne (Uhland) - Fanny Mendelssohn
14. Sehnsucht (Droysen) - Fanny Mendelssohn
15. Der Blumenstrauss (Klingemann)
16. Frühlingslied (Lenau)
17. Im Herbst (Klingemann)
18. Neue Liebe (Heine)
19. Sonntagslied (Klingemann)
20. Wenn sich zwei Herzen scheiden (Geibel)
21. Romanze (Aus dem Spanischen)
22. Frühlingsglaube (Uhland)
23. Winterlied (Aus dem Schwedischen)
24. Erster Verlust (Goethe)
25. Bei der Wiege (Klingemann)
26. Nachtlied (Eichendorff)
27. Andres Maienlied (Hölty)
Barbara Bonney, soprano
Geoffrey Parsons, piano
Recorded: TELDEC Studio Berlin, April 1991
Quality: mp3, varied kbps
Size: 125 MB
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on 19.11.08
at 02:17
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Barbara Bonney,
Fanny Mendelssohn,
Geoffrey Parsons,
Lied,
Mendelssohn,
Teldec
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