Mostrando postagens com marcador Franz Gerihsen. Mostrar todas as postagens



...Celibidache always oriented himself in his work on the requirements of Brahms's tonal language: on its seriousness (Brahms himself is on record as saying he had never laughed in his music) and its controlled, internalized passion; on the severe, aristocratic strictness governing not only expression but even the most personal and intimate emotions; on the weight and the depth always to be found even in the most cheerful and gracious movements; on Brahms's particularly pronounced awareness of metrical forces and their contrasts; on his preference for dark colours (particularly clear in the absence of the violins from the opening movement of the German Requiem). "This is a man who knows no fat, only bones and muscles!" Celibidache resorted to images like this to keep his musicians and singers away from all sentimentality and sugar-sweetness, all programmed, stereotyped effects, all superficial and self-satisfied enthusiasm. ...


Patrick Lang

Brahms

Ein deutsches Requiem, Op. 45

Symphony nr. 1, in C minor, Op. 68


Aleen Augér, soprano

Franz Gerihsen, baritone

Philharmonischer Chor München -

Members of the Münchener Bach-Chor

Chorus Master: Josef Schmidhuber


Münchner Philharmoniker

Segiu Celibidache


 

Quality: mp3, varied kbps
Size: 110 MB (disc 1)/ 103 MB (disc 2)



Sergiu Celibidache and members of the Münchner Philharmoniker

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