In the history of music there has never been anything quite comparable to the interweaving of song, song cycle and symphony that is a unique feature of Mahler's ouvre. The crossovers were there pretty much from the start and continued to fertilise his music until his last years. What remains as a source of fascination is the changing relationships between all the components that make up to what today we hear as Mahler's own "voice". ...

Donald Mitchell

Mahler

Lieder eines fahrenden Gesellen
Des Knaben Wunderhorn


Dietrich Fischer-Dieskau, bariton

Berliner Philharmoniker
Daniel Barenboim, conductor


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